Synchron Yamaha CFX vs Synchron Concert D-274

The fundamental difference between these two VSTs lies in the character of their sourced instruments: the Synchron Yamaha CFX captures a bright, clean, and modern Yamaha CFX grand, while the Synchron Concert D-274 samples a warm, atmospheric, Steinway D-274. This distinction directly impacts the sonic fingerprint and overall feel each library delivers.

Technically, the Synchron Yamaha CFX boasts 100 velocity layers and 7 mic positions, accumulating 119,020 samples within a 35 GB library. In contrast, the Synchron Concert D-274 features 101 velocity layers and 5 mic positions, comprising 99,735 samples from its slightly smaller 34 GB library. Both were recorded at Vienna Synchron Stage and include six identical preset configurations.

Choose the Synchron Yamaha CFX if you prefer a brilliant, powerful, and modern grand piano suitable for genres demanding strong projection and clarity. Opt for the Synchron Concert D-274 if you seek a rich, massive, and ambient tone with historical resonance, excelling in settings requiring a commanding yet warm presence.

Products Compared

Insights from Real-World Use

Synchron Yamaha CFX

  • Synchron pianos are high definition with thousands of samples and incredible velocity and mic positions.
  • I thought the VSL CFX would be my least favorite of the VSLs. Now that I've bought it, it may actually be my favorite. The CFX was the last VSL piano I acquired, figuring I was covered by the Garritan
  • Before the velocity RE-mapping and the velocity curve editor it was weird but now it's a fine instrument. It's only about preference rn - I don't like how they voiced their steinway. It's aggressive a
  • The Synchron Yamaha CFX stands out with its signature edge and beautiful brightness compared to others.
  • Describes the Synchron Yamaha CFX as an intense, complex, and extraordinarily visceral musical experience.

Synchron Concert D-274

  • Hmm... this Steinway is also very nice. For Secret Base, the Yamaha sounds a bit better. For the Variations on a Theme piece, some high notes are on the right side, which I like, others were on the le
  • The Synchron player's mic mixer and diverse mic positions are highly appreciated.
  • The D-274 seems to be an ugly duckling, with an almost universal preference for the two sampled Bosendorfers or, alternatively, the quite distinctive Bluethner.
  • Hi, I share my VSL D-274 best settings, because the default VSL D-274 presets have some velocity and dynamics errors compared to a real Steinway D.
  • As for the key settings, with the Stenway D you have the possibility to change and modify every single key...I find myself much better with the Vienna Symponich Stenway D, but of course that's persona