Modern D vs Synchron Concert D-274

Modern D wins on immediate gratification; Synchron Concert D-274 demands more user configuration but offers flexible microphone control. Modern D delivers notable playability and a full, warm tone. Its sampled resonance and endless sustain are highly praised, making it a reliable choice for church and general use. This ease of use means less time spent tweaking settings.

Synchron Concert D-274 offers powerful microphone mixing capabilities. Users appreciate its detailed sound and numerous features. This depth of control often requires extensive adjustment to achieve a natural velocity response. Defaults often produce problematic overtones and do not suit all musical styles.

Choose Modern D if you prioritize an immediate, realistic, and highly playable experience. Choose Synchron Concert D-274 if you need expansive microphone control and are willing to invest time in setup.

Products Compared

Insights from Real-World Use

Modern D

  • The Claire had a nice upper range, but it really felt dead in the lower mid range. The Modern D sings throughout all the registers. IMO, it's the best virtual piano on the market today.
  • I just picked up the Steinway D, I must say, I was veeery hesitant. I own some other vilabs pianos, The Ravenscroft among them, and feel like those instruments did not live up to their hype. That said
  • I purchased it today after listening to this excellent demo. It sounds pretty realistic and may work better in my pop-rock tracks than Ivory American D or the Keyscape C7 I've been using. I had to bri
  • It sounds very nice, but (to my ear) not as good as my custom C. Bechstein DG preset on Pianoteq, so... for now, I'll keep my wallet in my pocket.
  • Modern D's playability is awesome and better than Garritan CFX and Fazioli.

Synchron Concert D-274

  • Hmm... this Steinway is also very nice. For Secret Base, the Yamaha sounds a bit better. For the Variations on a Theme piece, some high notes are on the right side, which I like, others were on the le
  • The Synchron player's mic mixer and diverse mic positions are highly appreciated.
  • The D-274 seems to be an ugly duckling, with an almost universal preference for the two sampled Bosendorfers or, alternatively, the quite distinctive Bluethner.
  • Hi, I share my VSL D-274 best settings, because the default VSL D-274 presets have some velocity and dynamics errors compared to a real Steinway D.
  • As for the key settings, with the Stenway D you have the possibility to change and modify every single key...I find myself much better with the Vienna Symponich Stenway D, but of course that's persona

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