Synchron Fazioli 308 vs Synchron Concert D-274

The primary distinction between these two sampled grand pianos lies in their source instruments: the Synchron Fazioli 308 digitally captures a Fazioli F308, known for its modern and transparent sound, while the Synchron Concert D-274 samples a Steinway D-274, favored for its rich, traditional sonic character. This fundamental difference in instrument choice dictates their respective tonal qualities and suitability for various musical contexts.

Technically, the Fazioli 308 offers a larger sample library size at 46 GB with 165,060 samples and 100 velocity layers, compared to the D-274's 34 GB, 99,735 samples, and 101 velocity layers. Furthermore, the Fazioli is recorded with 7 mic positions, while the Steinway provides 5. This suggests the Fazioli offers a broader range of timbral options and potentially finer dynamic resolution, reflecting its portrayal as a "clean" and "modern" instrument ideal for film scoring.

Choose the Synchron Fazioli 308 for compositions requiring a particularly bright, clean, and modern grand piano sound with extensive mic positioning options, suitable for contemporary film scores or detailed studio recordings. Opt for the Synchron Concert D-274 when seeking the classic, warm, and rich acoustic character of a Steinway, a sound historically proven in both classical performance and recording.

Products Compared

Insights from Real-World Use

Synchron Fazioli 308

  • Loves the precise clarity of the Fazioli 308, attributing it to strong fundamentals.
  • Fazioli 308 is the favorite grand piano to play in the Synchron Pianos lineup.
  • The Fazioli 308 achieves pinnacle status in Synchron Piano lineup for tonal evenness, meticulous sampling, and full dynamic range.
  • The Fazioli 308 leaves no wish unfulfilled and possesses special, unique qualities.
  • The Synchron Fazioli 308 makes the user sound better and is very easy to play, almost anticipating actions.

Synchron Concert D-274

  • Hmm... this Steinway is also very nice. For Secret Base, the Yamaha sounds a bit better. For the Variations on a Theme piece, some high notes are on the right side, which I like, others were on the le
  • The Synchron player's mic mixer and diverse mic positions are highly appreciated.
  • The D-274 seems to be an ugly duckling, with an almost universal preference for the two sampled Bosendorfers or, alternatively, the quite distinctive Bluethner.
  • Hi, I share my VSL D-274 best settings, because the default VSL D-274 presets have some velocity and dynamics errors compared to a real Steinway D.
  • As for the key settings, with the Stenway D you have the possibility to change and modify every single key...I find myself much better with the Vienna Symponich Stenway D, but of course that's persona

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