Ivory 3 German D vs Synchron Concert D-274

The primary distinction between Ivory 3 German D and Synchron Concert D-274 lies in their underlying engine technologies. Ivory 3 employs a hybrid "RGB Engine" which integrates modeling-like behavior with sampled realism, offering a fresh approach to dynamic piano recreation. In contrast, Synchron Concert D-274 is a purely sampled instrument, relying on a vast number of individual samples across its 101 velocity layers to achieve its sound.

These differing engine philosophies result in notable technical variations. Ivory 3 focuses on its unique RGB engine and a substantial 42 GB library, implying a detailed capture of its single Steinway D with unique processing capabilities. Synchron Concert D-274, while having a slightly smaller 34 GB library, boasts an extensive 99,735 samples and 5 mic positions, suggesting a deep, traditional sampling approach to its Steinway D-274. Both aim for a clean, modern grand piano character suitable for similar genres.

Choose Ivory 3 German D if you prioritize novel hybrid engine technology that blends modeling with sampling for a potentially distinct expressive experience. Choose Synchron Concert D-274 if you prefer a traditional, deeply sampled instrument leveraging a high number of samples and velocity layers for its sonic authenticity.

Products Compared

Insights from Real-World Use

Ivory 3 German D

  • Ivory 3 German D excels in dynamic range, allowing for unrestricted fortissimo, which is its strong suit.
  • The spectral modeling and sampling, especially the tamber shift, make Ivory 3 German D sound nice and covered.
  • Ivory 3 German D's modeling makes playing more musical and expressive.
  • Ivory 3's awesome effects are amazing, offering quality usually found elsewhere.
  • The dynamic range of Ivory 3 German D, from true fortissimo to very soft, is highly appreciated.

Synchron Concert D-274

  • Hmm... this Steinway is also very nice. For Secret Base, the Yamaha sounds a bit better. For the Variations on a Theme piece, some high notes are on the right side, which I like, others were on the le
  • The Synchron player's mic mixer and diverse mic positions are highly appreciated.
  • The D-274 seems to be an ugly duckling, with an almost universal preference for the two sampled Bosendorfers or, alternatively, the quite distinctive Bluethner.
  • Hi, I share my VSL D-274 best settings, because the default VSL D-274 presets have some velocity and dynamics errors compared to a real Steinway D.
  • As for the key settings, with the Stenway D you have the possibility to change and modify every single key...I find myself much better with the Vienna Symponich Stenway D, but of course that's persona

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